Award-winning artist, writer and curator, Anique Jordan, looks to answer the question of possibility in everything she creates. Working for over a decade at the crossroad of community economic development and art, Jordan’s practice stems from and returns to the communities that inform it. As an artist, Jordan’s work plays with the foundations of traditional Trinidadian carnival and the theory of hauntology challenging historical narratives and creating, what she calls, impossible images. She works across temporalities bringing historical data towards a contemporary analysis. This work creates space to reinterpret the archives offering a new and speculative vision of the future.

Jordan’s curatorial practice centres around opening access points for engagement from new and unexpected audiences. She is interested in ways space and power operate within a curated site and how questions can shift and subvert depending on whose gaze is privileged. Jordan’s curatorial work has been seen at the Art Gallery of Ontario where she co-curated the groundbreaking exhibition, Every.Now.Then: Reframing Nationhood with Andrew Hunter, at UCLA in California and Liberty Hall in Jamaica where she produced Song for the Beloved with Dr. Honor Ford-Smith, at NIA Centre for the Arts where she curated, The Marvelous are Here and as part of a site specific series, The Public: Land and Body.